Excerpt from How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, Etc From my early days I was always interested in photography, and boyish experiments eventually led me along the path to my life's vocation. In time I took up the study of kinematography, and-joined the staff of the Clarendon Film Company (of London and Croydon), one of the pioneer firms in the industry. There I learned much and made such progress that in time I was entrusted with the film ing of ...
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Excerpt from How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, Etc From my early days I was always interested in photography, and boyish experiments eventually led me along the path to my life's vocation. In time I took up the study of kinematography, and-joined the staff of the Clarendon Film Company (of London and Croydon), one of the pioneer firms in the industry. There I learned much and made such progress that in time I was entrusted with the film ing of great productions, which cost thousands of pounds to make. From there I went to the Gaumont Company, and I was in the service of this great anglo-french film organisation when war broke out. During the early days of the autumn of 1914 I was busily occupied in filming various scenes in connection with the war in different parts of the country. One day when I was at the London office of the Company I was sent for by the Chief. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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