The French violinist and composer Pierre Rode (1774-1830) was the dedicatee of Beethoven's Violin Sonata No. 10 in G major, Op. 96, and what a joy it would have been to hear him play it. His 13 violin concertos were written for his own use, but it would be wrong to call them show pieces: they're never oriented toward empty virtuosity. The pair here are representative. You could sample the Air varié, Op. 12, which subverts expectations by not going from simplest to most difficult; the structure of the work, spilling over ...
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The French violinist and composer Pierre Rode (1774-1830) was the dedicatee of Beethoven's Violin Sonata No. 10 in G major, Op. 96, and what a joy it would have been to hear him play it. His 13 violin concertos were written for his own use, but it would be wrong to call them show pieces: they're never oriented toward empty virtuosity. The pair here are representative. You could sample the Air varié, Op. 12, which subverts expectations by not going from simplest to most difficult; the structure of the work, spilling over variation lines, determines the virtuosity level. The Violin Concerto No. 12 in E major, Op. 27 is filled with long, lyrical lines, fluidly ornamented but rarely festooned with double stops and other tricks of the violinist's trade. The Violin Concerto No. 11 in D major, Op. 23, is more virtuosic; opening with a rather plain double-orchestral exposition, the music proceeds into a violin part that strives to exceed the orchestra music's dimensions. It's a novel and effective structure,...
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Add this copy of Rode: Violin Concertos Nos. 11 & 12 to cart. $32.47, new condition, Sold by newtownvideo rated 4.0 out of 5 stars, ships from huntingdon valley, PA, UNITED STATES, published 2018 by Naxos.
