This lively analysis argues that, contrary to stereotype, the Romantic poets did not reject genre; rather, they adapted traditional poetic forms to suit their own democratic, secular, and skeptical ethos--a world view recognizably modern in its dimensions.
Read More
This lively analysis argues that, contrary to stereotype, the Romantic poets did not reject genre; rather, they adapted traditional poetic forms to suit their own democratic, secular, and skeptical ethos--a world view recognizably modern in its dimensions.
Read Less
