This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ...passed to the library of the Prince d'Essling and the other to the Berlin Print Room, and it was thus impossible to make any detailed comparison of the illustrations in the new find with those in the already known editions published by Lucantonio Giunta in 1490 and subsequent years. Within the last few weeks a ...
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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ...passed to the library of the Prince d'Essling and the other to the Berlin Print Room, and it was thus impossible to make any detailed comparison of the illustrations in the new find with those in the already known editions published by Lucantonio Giunta in 1490 and subsequent years. Within the last few weeks a third copy has been acquired by the British Museum, which has also since 1897 possessed the first Giunta edition, and a few notes based on a careful collation of the two may perhaps be found interesting. The first edition of Malermi's Italian version of the Bible was printed by Jenson, who finished it on August i st, 1470, apparently the same year in which the translator entered the monastery of S. Michele in Murano, near Venice, at the age of forty-eight. He was then stated to be 'natus quondam spectabilis et generosi viri domini Philippi de Malerbis, de Venetiis'; but nothing else is known of his family or early life, and the subsequent records only refer to his transfer from one monastery to another. Besides the Bible he also translated into Italian the lives of the saints from the 'Golden Legend' of Jacobus de Voragine, with additions of his own. This book also was printed for him by Jenson, and published in 1475. Malermi's translation of the Bible was a great popular success, at least nine, and probably ten editions being printed during the fifteenth century, and the British Museum possessing six others issued in 1517, 1546, 1553, 1558, 1566, and 1567. By a curious chance another translation, by an anonymous author, must have been already in the press while Jenson was printing Malermi's first edition. It appeared exactly two months later, on October 1st, 1471, without the name of its printer, but in the types of Adam of Ammergau. That...
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