Im Gegensatz zu der von US-amerikanischen K�nstler*innen in den sp�ten 9 er Jahren propagierten Trennung von Konzeption und Ausf�hrung nimmt dieses Buch eine Neubewertung der Konzeptkunst vor, indem sie sie aus der Perspektive des Handwerks betrachtet. Der Fokus wird vom westlichen Kunstsystem auf dessen R�nder gerichtet, wo Kunstschaffende aus kolonialen Kontexten zu Handwerker*innen herabgesetzt wurden unter dem Vorwand, dass sie den Status von K�nstler*innen nie erreichen k�nnten. Das Buch zeigt, dass die ...
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Im Gegensatz zu der von US-amerikanischen K�nstler*innen in den sp�ten 9 er Jahren propagierten Trennung von Konzeption und Ausf�hrung nimmt dieses Buch eine Neubewertung der Konzeptkunst vor, indem sie sie aus der Perspektive des Handwerks betrachtet. Der Fokus wird vom westlichen Kunstsystem auf dessen R�nder gerichtet, wo Kunstschaffende aus kolonialen Kontexten zu Handwerker*innen herabgesetzt wurden unter dem Vorwand, dass sie den Status von K�nstler*innen nie erreichen k�nnten. Das Buch zeigt, dass die mit handwerklichen Mitteln ausgef�hrte k�nstlerische Arbeit in eine konzeptionelle Praxis m�nden kann. Die Beitr�ge erm�glichen ein neues Verst�ndnis verschiedener Positionen innerhalb der Konzeptkunst, die so als anhaltende Reflexion �ber die Bedeutung von Handarbeit, Herstellung und (Kunst)Handwerk erscheint. Blick ins Buch
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Add this copy of A Show of Hands: Crafting Concepts in Contemporary Art to cart. $52.63, new condition, Sold by GreatBookPricesUK5 rated 5.0 out of 5 stars, ships from Castle Donington, DERBYSHIRE, UNITED KINGDOM, published 2024 by De Gruyter.
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